FORWARDEVER MEDIA CENTER
Writer Alex
Haley writing The Autobiography of Malcolm X with Brother Malcolm.
"The
media's the most powerful entity on earth. They have the power to make
the innocent guilty and to make the guilty innocent, and that's power.
Because they control the minds of the masses."
- Malcolm X
Mission
The Forwardever Media Center is 100% committed to providing unconventional writing workshops and media literacy training to "at-risk" Black youth, particularly males, ages 14 through 24. Working in partnership with The Mentoring Center in Oakland, CA., the Center's writing workshops, website internship, and film forums, help students develop critical thinking skills and discover their creative talents. We recruit youth for our programs from the California Youth Authority (the state's largest prison for youth) as well as from universities and high schools. This cross-pollination of young minds creates dynamic shared experiences.
Programs
Whatchusay Cinema–A monthly film forum hosted at schools or community centers in Northern California that explores issues such as race, class, gender, and society. Students are joined by a panel of activists, educators, athletes, entrepreneurs, etc. to rate the films and convene roundtable discussions about corresponding relevant issues in society. For info about film screenings and schedules contact: cheo@whatchusay.com
Writing Workshops–We offer intensive seminars in journalism, creative writing, cultural criticism, new media, film production, etc. These seminars are taught at the center, located at 1224 Preservation Park, Oakland, CA, 94612. They are also available on location, at schools, community and detention centers, churches, etc. For info about class schedules contact: cheo@whatchusay.com
Internships–Whatchusay.com offers competitive internships to young writers who have clearly demonstrated a passion for the craft of writing or media production. The 3-month internship covers news writing and reporting, feature writing, creative writing, media literacy and new media. Working in partnership with community based organizations, universities and international and national media outlets, we produce a pipeline of informed journalists of color who will go on to create their own independent media organizations or work for major media organizations.
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Miami Vice
By A. L. "Toni" Anderson
At long last, the movie version of a favorite television series of the late 1980s, Miami Vice, has been brought to the big screen. The original Sonny Crockett (Don Johnson) and Ricardo Tubbs (Philip Michael Thomas) were some of the coolest guys ever to grace a television set. Can Colin Farrell and Jamie Foxx measure up? Could anyone, ever?
Tubbs and Crockett are back undercover and on the case, on the trail of cop-killing drug distributors in and around Miami, Florida. Only this time the action takes place in Paraguay, Brazil, Haiti, Argentina, Colombia, and Cuba. Maybe this should be called International Vice instead.
The original Miami Vice was a slick, stylish tribute to fast cars, sexy music, and beautiful people. Twenty years later, Crockett and Tubbs seem to have aged accordingly, and the years have not been kind. Miami Vice was as much a feeling as anything, and it appears that the thrill has gone. The adrenaline rush has vaporized. If the intent is to appeal to an older generation of fans of the television series, the makers of this film should know that the attraction of remakes is the recapture of one's own youth. Absolutely nothing is recaptured here. The atmosphere is totally lacking, the music is disappointingly low-key, and the language itself is often nearly unintelligible.
As usually happens when a 60-minute "episode" is expanded to fill a two-hour movie bill, the pace of the film is a bit on the slow side. There is not really enough going on to fill 140 minutes, and the film suffers for the attempt. Tubbs' character tries to fill in some of the dead spots with Foxx-esque humor, but even that falls flat. Bits of dialogue are borrowed from 1970's private eye Baretta; they sounded better coming from Robert Blake.
Naomie Harris (Pirates of the Caribbean: Dead Man's Chest - 2006) plays Tubbs' love interest, Trudy, and Gong Li (Memoirs of a Geisha - 2005) plays the "businesswoman" who turns Crockett's head. Barry Shabaka Henley (Lackawanna Blues - 2005) is the lieutenant supervising the operation. Various good and bad guys are portrayed by Elizabeth Rodriguez (The Shield), Spanish-born Luis Tosar, John Ortiz (Take the Lead - 2006), and Domenick Lombardozzi (Entourage). The part of El Tiburon is played by Mario Ernesto Sánchez, who appeared in several episodes of the Miami Vice television series. Michael Nunn, the executive producer of the original, this time plays the roles of director, producer, and screenwriter. The music is provided by John Murphy, with selections by Moby and Nonpoint. How can you have In the Air Tonight without Phil Collins? How can you have Miami Vice without Phil Collins?
As excited as I was to see the new Miami Vice, my excitement quickly dissipated As much as I like Jamie Foxx, he can forget about an Oscar nomination for this one.
Posted on August 1, 2006 5:28 AM

Comments (1)
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Posted by soagz pnoi | August 18, 2007 2:41 PM
Posted on August 18, 2007 14:41